Monthly Archives: August 2020

3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am

Published Post author

3D_Color_Graphics_P56_Window_Film_Print_Sticker_Cling_Stained_Glass_UV_Block_Am_01_cwq
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am

3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
50% Light transmission and Transparent, Protect your. High Quality Self-adhesive Vinyl material. Superior Quality and Striking Color. 100% Natural, Environmental and Breathable. The images on the picture are for illustration purpose only; please refer to the actual size sheet. All VINYL mural is Waterproof. I don’t accept cancellations. But please contact me if you have any problems with your order. Can’t Find your love images? Still Not Find A Love Images? No worries With access to over 80million high-resolution images, hopefully, we can help you find it. Please note: some images may not be available due to restrictions imposed by the photographer. Please, not judge the picture without putting it all up first, that it may not look right when you’re putting each piece up but that once its all up it’ll look AMAZING. Ps: You can re-roll the murals and put on the ground, see the whole part. We just try to explain the correct way to view the murals. Custom and personalised orders. The surface of the wall Must be smooth, clean, dry and sound. Flaking paint and lose wallpaper should be removed and any uneven surfaces must be filled. Give the wall a prime coating if the colour of the wall is very different from the new wallpaper. Very absorbent surfaces, such as plaster walls, should be sized. Always use an adhesive especially recommended for non-woven wallpaper. The item “3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am” is in sale since Friday, July 24, 2020. This item is in the category “Home & Garden\Curtains, Blinds & Accessories\Window Film”. The seller is “kevinhua2012″ and is located in Boxhill, VIC. This item can be shipped worldwide.
  • Colour: Multicoloured
  • Type: Vinyl
  • Brand: Unbranded

3D Color Graphics P56 Window Film Print Sticker Cling Stained Glass UV Block Am
August 25, 2020

3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am

Published Post author

3D_Color_Grid_O402_Window_Film_Print_Sticker_Cling_Stained_Glass_UV_Block_Am_01_dnz
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am

3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
50% Light transmission and Transparent, Protect your. High Quality Self-adhesive Vinyl material. Superior Quality and Striking Color. 100% Natural, Environmental and Breathable. The images on the picture are for illustration purpose only; please refer to the actual size sheet. All VINYL mural is Waterproof. I don’t accept cancellations. But please contact me if you have any problems with your order. Can’t Find your love images? Still Not Find A Love Images? No worries With access to over 80million high-resolution images, hopefully, we can help you find it. Please note: some images may not be available due to restrictions imposed by the photographer. Please, not judge the picture without putting it all up first, that it may not look right when you’re putting each piece up but that once its all up it’ll look AMAZING. Ps: You can re-roll the murals and put on the ground, see the whole part. We just try to explain the correct way to view the murals. Custom and personalised orders. The surface of the wall Must be smooth, clean, dry and sound. Flaking paint and lose wallpaper should be removed and any uneven surfaces must be filled. Give the wall a prime coating if the colour of the wall is very different from the new wallpaper. Very absorbent surfaces, such as plaster walls, should be sized. Always use an adhesive especially recommended for non-woven wallpaper. The item “3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am” is in sale since Monday, May 11, 2020. This item is in the category “Home & Garden\Curtains, Blinds & Accessories\Window Film”. The seller is “rainbow2013rain5″ and is located in knoxfield vic . This item can be shipped worldwide.
  • Colour: Multicoloured
  • Brand: Unbranded

3D Color Grid O402 Window Film Print Sticker Cling Stained Glass UV Block Am
August 25, 2020

1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo

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1991_Vintage_16X20_MICKEY_ROONEY_Movie_Actor_Comedian_YOUSUF_KARSH_Photo_01_ndrn
1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo

1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo
Date Of Negative: 1991. Date Of Print: 1992. Type Of Print: Original Authentic VINTAGE Color. (Made from the Original Image Authorised by Yousuf Karsh). MICKEY ROONEY Movie Actor. Imprimerie Jean Genoud, Lausanne, Switzerland. Paper: Medium Weight Clay Coated, Fine Semi-Gloss/Matte Lustre. Approx Image Size Inches: 12 x 9.5 inches. Approx Image Size Metric: 30 x 24 centimetres. Mounted: Yes, Professionally dry mounted on Archival Presentation Mount Board. Mount Board Size: 20″ x 16″ inches Metric 50 x 40 Centimeters. Matted: Yes, White 20″ x 16″ inches, Museum Grade acid-free sturdy 4ply Mat. Condition Grade: Fine ++. Registered Vintage Photogravure Archive Serial Number: Yes. Tamper Proof Hologram: Yes. Certificate Of Authenticity (COA): Yes – individual hand signed COA from Vintage Photogravure. VINTAGE PHOTOGRAVURE is pleased to offer an Original Vintage Print, (NOT a computer scanned reprint). This wonderful Vintage Print comes already Mounted and Matted and will frame and display beautifully! Our Mounts and Mats are the highest quality acid-free sturdy 4ply Museum Grade, board. This Vintage Print is guaranteed to be Original and comes with a hand-signed CERTIFICATE OF AUTHENTICITY (COA) and its accompanying Tamper-Proof Hologram. It comes with a unique registered serial number from the Vintage Photogravure Archive & Database. The watermarked word “Vintage Photogravure” does not appear on the actual print itself. And browse our World-Class Collection of authentic Vintage Photogravure prints. Paul Wolff 1936 Olympics. 1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo. Check our other products. 1985 BRUCE WEBER Vintage Photogravure 16X20 Print Young Male Rowing Crew Harvard. 1944 YOUSUF KARSH Vintage DUOTONE 11X14 EDWARD STEICHEN Photography Painter. 1970 YOUSUF KARSH Vintage DUOTONE 11X14 HENRY MOORE, MARINI, LIPCHITZ, Three Men. 1979 YOUSUF KARSH Vintage DUOTONE 11X14 ANDY WARHOL Pop Artist Painter Pop Art. 1963 YOUSUF KARSH Vintage DUOTONE Photo 11X14 Black African ZULU WOMEN Gourds. 1943 YOUSUF KARSH Vintage DUOTONE Photo 11X14 GEORGE BERNARD SHAW Irish Theatre. 1971 YOUSUF KARSH Vintage DUOTONE Photo 11X14 FIDEL CASTRO President Cuba. 1955 YOUSUF KARSH Vintage DUOTONE Photo 11X14 ANNA ELEANOR ROOSEVELT Portrait. 1941 YOUSUF KARSH Vintage DUOTONE Photo 11X14 WINSTON CHURCHILL Portrait. Yousef Karsh was born in 1908 in Armenia, and grew up at the time of the Armenian Genocide when one-and-a-half million Armenians were either murdered or expelled as refugees by order of the Turkish government. Members of his own family were murdered, but he and his family escaped to Syria, after a month-long caravan journey. He was sent to Canada at the age of 15, to live with his maternal uncle George Nakashian, a portrait photographer. It was from his uncle that he first learnt photography and portraiture. At the age of 20 he moved to Boston where he worked for John H Garo, the most famous American Armenian photographer of the day. He had made his reputation photographing Boston celebrities. Karsh subsequently moved to Ottawa, opening his first studio in 1932, at the age of 24. He remained at the same studio until 1972. He was known professionally as &#####x201C;Karsh of Ottawa&#####x201D; and it was when he captured the attention of the Canadian Prime Minister, Mackenzie King, that his career took off. Mackenzie King arranged for visiting dignitaries to be photographed by Karsh. His style was noted for its dramatic lighting, something he learnt from Garo when he was in Boston. In 1941 his portrait of Winston Churchill shot Karsh to world fame. Just before taking the photo, Karsh removed Churchill&#####x2019;s cigar from his hand, and the resulting displeasure was captured by Karsh. The result has been described as the most iconic portrait ever shot, and Churchill’s defiant and scowling expression was thought at the time to exemplify Britain&#####x2019;s stand against Fascism. Karsh died in 2002, in Boston, aged 93. By the time he retired over 20 of his portraits had graced the cover of Time Magazine. His work is highly collectible and can be found in museums and important collections around the world. This photogravure is guaranteed to be authentic and comes with a hand-signed Certificate Of Authenticity. Each COA, with its unique individual, registered serial number from the Vintage Photogravure Archive & Database, has a corresponding numbered, Tamper Proof, Hologram attached to the back of the Archival acid-free backing board your print is mounted on. This is an original vintage print from the last Century, not a modern reprint. It has been professionally dry mounted on a museum grade mat board and is ready for fitting into a standard size frame. Our client’s peace of mind is our number one concern and this is what has inspired our unique tamper-proof holographic COA system. Here at vintage photogravure as we feel that having a certificate of authenticity with each professionally mounted and matted print adds extra value for the future, as it provides provenance and a record of the guaranteed authenticity of each individual print. We guarantee the authenticity of all our prints with a unique serial number printed on a Certificate of Authenticity (COA for short). In addition, we put the same serial number on a tamper-proof holographic seal, on the back of the museum-quality mount board on which the print has been professionally dry mounted. The COA certificate of authenticity which comes with your vintage artwork should be kept with the print or otherwise kept in a safe place as for security reasons we cannot issue duplicates. We use custom-made rigid foam core protection for all our fully matted prints, that after having been professionally dry mounted on acid-free backing boards, are protected by individual ultra clear print protectors. Finally, the entire construction is further protected by a waterproof postal sack. Here at Vintage Photogravure, we stock only the finest vintage photogravures and antique prints. All our prints are professionally mounted 4ply Museum Grade, acid-free mount board. This watermark word does not appear on the original vintage print itself. Please refer to the. You are covered by the. If you receive an item that is not as described in the listing. The first photogravures were developed in France by someone with a most unusual name, Nic&#######xE9;phore Ni&#######xE9;pce. The word photogravure itself is indeed a French word. In England, the process was further developed by Henry Fox Talbot. Both of these men were pioneers in the field of photography in general and the photogravure process came about as simply a way to make photographs permanent. It was also a way to reproduce them by printing them on paper using traditional printing presses of the day. The final version of the process, still used today, was developed by the Czech painter Carol Klic in 1878, who modified Talbot’s process to create the Talbot-Klic process. A photogravure is unique in its ability to register a wide variety of rich deep tones, as the amount of ink transferred from the plate to the print is significantly greater than with today’s more commonly used lithographic processes. Photogravure creates its wide range of tones by transferring etching ink from an etched copper plate onto special paper which is first made slightly damp. It is then put through a press that forces the ink out of the recesses in the plate and onto the paper. The depth of the individual ink “wells” is many times greater in the shadow areas of the image than the paler tones. This is quite unlike the halftone process where the size of the dot is varied to create different tones. The art of photogravure was brought to a very high standard by Peter Henry Emerson and Alfred Stieglitz, in his photography magazine &#####x201C;CAMERA&#####x201D. Some photographers featured in this publication, such as Alvin Langdon Coburn, even saw their photographic work as essentially &#####x201C;Gravure&#####x201D; before anything else. The Photogravure process was eventually replaced by the convenience of the silver gelatin process, and the last notable use of the process was in America by the photographer of the indigenous people of that continent, Edward S Curtis, with his amazing set of Gravures from the 1920s. Photogravure did continue, however, in a limited way, primarily as a fine art process. A notable major portfolio was that of Paul Strand, with his photographs from Mexico from 1940. This portfolio was re-issued by the Da Capo press in 1967. The art form continued, primarily in Europe, with publications such as &#####x201C;APERTURE&#####x201D. I’m pleased to say that today the process of photogravure is still alive and well in a number of photographic workshops around the globe. The Technique in Theory. To get an idea of the basic principles involved in the Photographic process I invite you to imagine, if you will, a shiny polished copper plate 8 inches by 10 inches in size. Now take an imaginary sharp object, such as a penknife, and scratch your initials twice. Once lightly and then a second time more deeply, into the copper plate. We use copper because it is a relatively soft metal. Now dip a handkerchief in a little black ink and rub some ink into the scratches you have made. Take a clean piece of cotton cloth, and wipe the surface of the plate clean. Try as you might the ink stays put in the scratches. Now to print your initials, we take a dampened piece of specially made paper and run it through a printing press with a heavy steel roller, which presses the paper into the groove of the scratched initials. As you have wiped the rest of the plate clean only your initials will be printed. The deeply scratched initials will hold more black ink, and so print darker. Now imagine that instead of scratching or engraving your initials directly into the copper plate, you first applied a film of acid-resistant material to your copper plate, such as colored varnish. After letting it dry, imagine you scratch your initials into this film of colored varnish rather than the underlying copper plate. First, scratch your initials lightly, then a second time a little more heavily, but only into the film, not the copperplate itself. Now place the copper plate in an imaginary tray full of diluted acid, for say 20 minutes, then remove the plate and dissolve off the protective varnish film. Now you have a plate with your initials carved into it by the action of the acid on the copper plate. Then you remove the protective varnish film, and this acid-etched groove will hold ink even after you clean the surface of the copper plate. The Photographic Element of the Process. If we use a light-sensitive, acid-resisting gelatin coating on our copper plate, we can expose it to a hardening dose of UV rays through an 8 by 10 piece of film with an image on it. Where the light passes through the film containing the image, it hardens the UV sensitive gelatin coating. Where the gelatin has been hardened by the UV light, it will stick to the copper plate and not be washed off, and so protect the smooth surface of the copper plate when it is immersed in the acid bath. By contrast, the areas which have not been hardened will wash off, allowing the acid to etch into the plate, creating small pockets where the ink can hide, until forced out into the paper surface by the steel roller of the etching press. By using a special Photogravure screen in combination with the transparent image, we can create more depth in the darks and more subtlety in the mid-tones. This special photogravure screen is sandwiched with a transparent film containing the image to be reproduced. It is then exposed to the hardening effect of the UV light. It is even possible to simply leave this photographic sandwich out in the sun too harden the acid-resistant gelatin film. When printing in a dark room using the modern silver gelatin process, the photographic image is projected using a &#####x201C;negative&#####x201D; of the image. The light passing through the transparent areas of this negative will activate the silver halide crystals in the gelatin film on the photographic paper, and turn them dark. With the photogravure process, however, we must replace the &#####x201C;negative&#####x201D; with a &#####x201C;positive&#####x201D;, as the dark part of the final image requires the UV sensitive gelatin film to not receive light. This is so that the gelatin coating in the dark parts of the image will not be hardened by the UV rays, and so wash off afterward. This allows the acid to eat into the plate in these areas and so the plate will hold the black ink for printing the darks. This is why we use a &#####x201C;positive&#####x201D; made by contact printing from the original negative. If you look at the surface of a photograph of a photogravure print through a magnifying glass, you will see the texture of the fine photogravure screen used to enhance the printing process. The Photogravure Technique in Practice. There are many stages in the creation of photographic plates before printing can begin. First of all, a continuous film positive is created using the photographer’s original negative. The reason for this is you will already know from the explanation above. The negative can be enlarged to create a much bigger printable positive, just as in the modern silver gelatin printing process. The sheet of positive film is then developed to produce a wide range of continuous tones. A sheet of pigmented gelatin tissue is sensitized by dipping it into a solution of potassium dichromate at 3.5% concentration for 3 minutes. It must then be dried on a plexiglass/perspex/acrylic sheet before we can progress to stage 3. Normally the sheet of pigmented gelatin will be ready one day later. After making a sandwich of the continuous tone positive on top of the pigmented gelatin sheet, it is exposed to ultraviolet light. A second exposure is then made to a fine stochastic or Mezzotint screen. Another possibility at this stage is to coat the copper plate with a fine dusting of rosin, as used in the aquatint etching process, which is then fixed onto the copper plate by heating it until it melts. This provides a random grain resist. The exposure to the ultraviolet light through the continuous tone positive and the Mezzotint screen or the aquatint rosin resist, hardens the gelatin in direct proportion to the light penetration through the two sheets. Stage 4 of the photogravure process is to adhere to the exposed gelatin tissue to the polished surface of the copper plate. This is done underwater, where it is squeezed onto the plate, and then the excess water is wiped off. Now the paper backing is removed in hot water and the unexposed soft gelatin is washed away. The more that the gelatin has been exposed to the UV light, the more it will remain on the plate, and so protect it from the acid bath to come. The resistant gelatin is dried and then the edges and back of the plate must be stopped out, which means being given a coat of colored varnish. This will protect the sides and the back of the copper plate from the effect of the acid. Now the plate can be etched in a bath of ferric chloride acid solution, using a scale measured in degrees Baum&#######xE9. The plate is immersed in a series of acid baths starting with the strongest, and then progressing through baths of increasingly weaker acid solutions. The ferric chloride acid solution passes through gelatin image, to eat into the copper plate, producing tiny &#####x201C;wells&#####x201D; of different depths, which will hold ink in varying degrees. The photogravure screen or the aquatint resist, depending and which was used, created a textured &#####x201C;tooth&#####x201D; in the plate, which helps the plate hold ink. These individual &#####x201C;wells of ink&#####x201D; vary in depth, and this feature is a unique characteristic of the photogravure process. Its time now to clean the plate and prepare for printing. There is little difference in practice in printing a photogravure plate, to any other intaglio plate. It is most similar to the aquatint etching printing process. The ink used in photogravure printing is of a stiff oily consistency. This is to ensure that it stays put in the small recesses etched into the copper plate. Using a rubber brayer or alternatively a stiff squeegee, the ink is applied to the entire surface of the plate to be printed. The plate is then wiped to remove the excess ink. This wiping also helps to drive the stiff ink into the deepest crevices in the plate. The final wiping is done using the palm of the hand, in a slight glancing action. Now the polished parts of the plate, which will print as white, have been thoroughly cleaned of ink. The last part of the process is to clean the edges of the plate before it is ready to be placed on the bed of the intaglio press. Prior to printing the plate is covered with a sheet of damp rag-based paper, followed by 3 thin woolen blankets. These woolen blankets help distribute the pressure more evenly, pushing the soft damp paper into the inky hollows in the plate. Finally, the plate is run through the press, and the high pressure forces the dampened paper into the ink-filled wells of the plate. This transfers the ink onto the paper creating the final print. Now the damp print must be gently dried between sheets of blotting paper and placed under weights, which ensures that the print remains flat as it dries. The whole process can be repeated to produce another print or the plate cleaned and stored away for future use. The item “1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo” is in sale since Saturday, August 22, 2020. This item is in the category “Art\Art Prints”. The seller is “vintagephotogravure” and is located in Arbis. This item can be shipped worldwide.
  • Artist: Yousuf Karsh
  • Color Type: COLOR
  • Date of Creation: 1990-1999
  • Features: Matted
  • Height (Inches): 20
  • Listed By: Dealer or Reseller
  • Medium: COLOR Photo Engraving
  • Originality: Original Print
  • Print Surface: Paper
  • Signed: Unsigned
  • Size: Medium (up to 36in.)
  • Style: Realism
  • Subject: Portrait
  • Width (Inches): 16

1991 Vintage 16X20 MICKEY ROONEY Movie Actor Comedian YOUSUF KARSH Photo
August 24, 2020

Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL

Published Post author

Dragonfly_Clothing_Co_Mens_Skull_Motorcycle_Biker_Button_American_Fl_Sz_XXXL_01_nu
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL

Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL. The item “Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL” is in sale since Wednesday, August 19, 2020. This item is in the category “Clothing, Shoes & Accessories\Men\Men’s Clothing\Shirts\Casual Button-Down Shirts”. The seller is “micgonz_7196″ and is located in Universal City, Texas. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, Sweden, Belgium, France, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, New Zealand, Switzerland, Norway, Croatia, Guernsey, Gibraltar, Iceland, Jersey, Liechtenstein, Luxembourg, Monaco, Russian federation.
  • Brand: Dragonfly
  • Character Family: Biker
  • Model: Dragon Fly Clothing Button Down Shirt
  • Type: Button-Up
  • Collar Style: Button-Down
  • Style: Button-Up
  • Material: Polyester
  • Product Line: Dragon Fly Clothing Co
  • Sleeve Length: Short Sleeve
  • Occasion: Casual
  • Department: Men
  • Size: 3XL
  • Personalized: No
  • Closure: Button
  • Accents: Print
  • Season: Fall
  • Country/Region of Manufacture: Korea, Republic of
  • Manufacturer Color: Black / White
  • Neckline: Collared
  • Character: Easy Rider
  • Vintage: Yes
  • Handmade: No
  • Features: Extra Button
  • Color: Multicolor
  • Fabric Type: 100% Polyester
  • Theme: Harley
  • Size Type: Regular
  • Garment Care: Machine Washable
  • Fit: Classic
  • Pattern: Easy Rider
  • Graphic Print: Yes

Dragonfly Clothing Co Mens Skull Motorcycle Biker Button American Fl Sz XXXL
August 24, 2020

1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo

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1991_Vintage_16X20_ANGELA_LANSBURY_Actress_Film_Theater_YOUSUF_KARSH_Photo_01_iqs
1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo

1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo
Date Of Negative: 1991. Date Of Print: 1992. Type Of Print: Original Authentic VINTAGE Color. (Made from the Original Image Authorised by Yousuf Karsh). Imprimerie Jean Genoud, Lausanne, Switzerland. Paper: Medium Weight Clay Coated, Fine Semi-Gloss/Matte Lustre. Approx Image Size Inches: 12 x 9.5 inches. Approx Image Size Metric: 30 x 24 centimetres. Mounted: Yes, Professionally dry mounted on Archival Presentation Mount Board. Mount Board Size: 20″ x 16″ inches Metric 50 x 40 Centimeters. Matted: Yes, White 20″ x 16″ inches, Museum Grade acid-free sturdy 4ply Mat. Condition Grade: Fine ++. Registered Vintage Photogravure Archive Serial Number: Yes. Tamper Proof Hologram: Yes. Certificate Of Authenticity (COA): Yes – individual hand signed COA from Vintage Photogravure. VINTAGE PHOTOGRAVURE is pleased to offer an Original Vintage Print, (NOT a computer scanned reprint). This wonderful Vintage Print comes already Mounted and Matted and will frame and display beautifully! Our Mounts and Mats are the highest quality acid-free sturdy 4ply Museum Grade, board. This Vintage Print is guaranteed to be Original and comes with a hand-signed CERTIFICATE OF AUTHENTICITY (COA) and its accompanying Tamper-Proof Hologram. It comes with a unique registered serial number from the Vintage Photogravure Archive & Database. The watermarked word “Vintage Photogravure” does not appear on the actual print itself. And browse our World-Class Collection of authentic Vintage Photogravure prints. Paul Wolff 1936 Olympics. 1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo. Check our other products. 1985 BRUCE WEBER Vintage Photogravure 16X20 Print Young Male Rowing Crew Harvard. 1944 YOUSUF KARSH Vintage DUOTONE 11X14 EDWARD STEICHEN Photography Painter. 1970 YOUSUF KARSH Vintage DUOTONE 11X14 HENRY MOORE, MARINI, LIPCHITZ, Three Men. 1979 YOUSUF KARSH Vintage DUOTONE 11X14 ANDY WARHOL Pop Artist Painter Pop Art. 1963 YOUSUF KARSH Vintage DUOTONE Photo 11X14 Black African ZULU WOMEN Gourds. 1943 YOUSUF KARSH Vintage DUOTONE Photo 11X14 GEORGE BERNARD SHAW Irish Theatre. 1971 YOUSUF KARSH Vintage DUOTONE Photo 11X14 FIDEL CASTRO President Cuba. 1955 YOUSUF KARSH Vintage DUOTONE Photo 11X14 ANNA ELEANOR ROOSEVELT Portrait. 1941 YOUSUF KARSH Vintage DUOTONE Photo 11X14 WINSTON CHURCHILL Portrait. Yousef Karsh was born in 1908 in Armenia, and grew up at the time of the Armenian Genocide when one-and-a-half million Armenians were either murdered or expelled as refugees by order of the Turkish government. Members of his own family were murdered, but he and his family escaped to Syria, after a month-long caravan journey. He was sent to Canada at the age of 15, to live with his maternal uncle George Nakashian, a portrait photographer. It was from his uncle that he first learnt photography and portraiture. At the age of 20 he moved to Boston where he worked for John H Garo, the most famous American Armenian photographer of the day. He had made his reputation photographing Boston celebrities. Karsh subsequently moved to Ottawa, opening his first studio in 1932, at the age of 24. He remained at the same studio until 1972. He was known professionally as &#####x201C;Karsh of Ottawa&#####x201D; and it was when he captured the attention of the Canadian Prime Minister, Mackenzie King, that his career took off. Mackenzie King arranged for visiting dignitaries to be photographed by Karsh. His style was noted for its dramatic lighting, something he learnt from Garo when he was in Boston. In 1941 his portrait of Winston Churchill shot Karsh to world fame. Just before taking the photo, Karsh removed Churchill&#####x2019;s cigar from his hand, and the resulting displeasure was captured by Karsh. The result has been described as the most iconic portrait ever shot, and Churchill’s defiant and scowling expression was thought at the time to exemplify Britain&#####x2019;s stand against Fascism. Karsh died in 2002, in Boston, aged 93. By the time he retired over 20 of his portraits had graced the cover of Time Magazine. His work is highly collectible and can be found in museums and important collections around the world. This photogravure is guaranteed to be authentic and comes with a hand-signed Certificate Of Authenticity. Each COA, with its unique individual, registered serial number from the Vintage Photogravure Archive & Database, has a corresponding numbered, Tamper Proof, Hologram attached to the back of the Archival acid-free backing board your print is mounted on. This is an original vintage print from the last Century, not a modern reprint. It has been professionally dry mounted on a museum grade mat board and is ready for fitting into a standard size frame. Our client’s peace of mind is our number one concern and this is what has inspired our unique tamper-proof holographic COA system. Here at vintage photogravure as we feel that having a certificate of authenticity with each professionally mounted and matted print adds extra value for the future, as it provides provenance and a record of the guaranteed authenticity of each individual print. We guarantee the authenticity of all our prints with a unique serial number printed on a Certificate of Authenticity (COA for short). In addition, we put the same serial number on a tamper-proof holographic seal, on the back of the museum-quality mount board on which the print has been professionally dry mounted. The COA certificate of authenticity which comes with your vintage artwork should be kept with the print or otherwise kept in a safe place as for security reasons we cannot issue duplicates. We use custom-made rigid foam core protection for all our fully matted prints, that after having been professionally dry mounted on acid-free backing boards, are protected by individual ultra clear print protectors. Finally, the entire construction is further protected by a waterproof postal sack. Here at Vintage Photogravure, we stock only the finest vintage photogravures and antique prints. All our prints are professionally mounted 4ply Museum Grade, acid-free mount board. This watermark word does not appear on the original vintage print itself. Please refer to the. You are covered by the. If you receive an item that is not as described in the listing. The first photogravures were developed in France by someone with a most unusual name, Nic&#######xE9;phore Ni&#######xE9;pce. The word photogravure itself is indeed a French word. In England, the process was further developed by Henry Fox Talbot. Both of these men were pioneers in the field of photography in general and the photogravure process came about as simply a way to make photographs permanent. It was also a way to reproduce them by printing them on paper using traditional printing presses of the day. The final version of the process, still used today, was developed by the Czech painter Carol Klic in 1878, who modified Talbot’s process to create the Talbot-Klic process. A photogravure is unique in its ability to register a wide variety of rich deep tones, as the amount of ink transferred from the plate to the print is significantly greater than with today’s more commonly used lithographic processes. Photogravure creates its wide range of tones by transferring etching ink from an etched copper plate onto special paper which is first made slightly damp. It is then put through a press that forces the ink out of the recesses in the plate and onto the paper. The depth of the individual ink “wells” is many times greater in the shadow areas of the image than the paler tones. This is quite unlike the halftone process where the size of the dot is varied to create different tones. The art of photogravure was brought to a very high standard by Peter Henry Emerson and Alfred Stieglitz, in his photography magazine &#####x201C;CAMERA&#####x201D. Some photographers featured in this publication, such as Alvin Langdon Coburn, even saw their photographic work as essentially &#####x201C;Gravure&#####x201D; before anything else. The Photogravure process was eventually replaced by the convenience of the silver gelatin process, and the last notable use of the process was in America by the photographer of the indigenous people of that continent, Edward S Curtis, with his amazing set of Gravures from the 1920s. Photogravure did continue, however, in a limited way, primarily as a fine art process. A notable major portfolio was that of Paul Strand, with his photographs from Mexico from 1940. This portfolio was re-issued by the Da Capo press in 1967. The art form continued, primarily in Europe, with publications such as &#####x201C;APERTURE&#####x201D. I’m pleased to say that today the process of photogravure is still alive and well in a number of photographic workshops around the globe. The Technique in Theory. To get an idea of the basic principles involved in the Photographic process I invite you to imagine, if you will, a shiny polished copper plate 8 inches by 10 inches in size. Now take an imaginary sharp object, such as a penknife, and scratch your initials twice. Once lightly and then a second time more deeply, into the copper plate. We use copper because it is a relatively soft metal. Now dip a handkerchief in a little black ink and rub some ink into the scratches you have made. Take a clean piece of cotton cloth, and wipe the surface of the plate clean. Try as you might the ink stays put in the scratches. Now to print your initials, we take a dampened piece of specially made paper and run it through a printing press with a heavy steel roller, which presses the paper into the groove of the scratched initials. As you have wiped the rest of the plate clean only your initials will be printed. The deeply scratched initials will hold more black ink, and so print darker. Now imagine that instead of scratching or engraving your initials directly into the copper plate, you first applied a film of acid-resistant material to your copper plate, such as colored varnish. After letting it dry, imagine you scratch your initials into this film of colored varnish rather than the underlying copper plate. First, scratch your initials lightly, then a second time a little more heavily, but only into the film, not the copperplate itself. Now place the copper plate in an imaginary tray full of diluted acid, for say 20 minutes, then remove the plate and dissolve off the protective varnish film. Now you have a plate with your initials carved into it by the action of the acid on the copper plate. Then you remove the protective varnish film, and this acid-etched groove will hold ink even after you clean the surface of the copper plate. The Photographic Element of the Process. If we use a light-sensitive, acid-resisting gelatin coating on our copper plate, we can expose it to a hardening dose of UV rays through an 8 by 10 piece of film with an image on it. Where the light passes through the film containing the image, it hardens the UV sensitive gelatin coating. Where the gelatin has been hardened by the UV light, it will stick to the copper plate and not be washed off, and so protect the smooth surface of the copper plate when it is immersed in the acid bath. By contrast, the areas which have not been hardened will wash off, allowing the acid to etch into the plate, creating small pockets where the ink can hide, until forced out into the paper surface by the steel roller of the etching press. By using a special Photogravure screen in combination with the transparent image, we can create more depth in the darks and more subtlety in the mid-tones. This special photogravure screen is sandwiched with a transparent film containing the image to be reproduced. It is then exposed to the hardening effect of the UV light. It is even possible to simply leave this photographic sandwich out in the sun too harden the acid-resistant gelatin film. When printing in a dark room using the modern silver gelatin process, the photographic image is projected using a &#####x201C;negative&#####x201D; of the image. The light passing through the transparent areas of this negative will activate the silver halide crystals in the gelatin film on the photographic paper, and turn them dark. With the photogravure process, however, we must replace the &#####x201C;negative&#####x201D; with a &#####x201C;positive&#####x201D;, as the dark part of the final image requires the UV sensitive gelatin film to not receive light. This is so that the gelatin coating in the dark parts of the image will not be hardened by the UV rays, and so wash off afterward. This allows the acid to eat into the plate in these areas and so the plate will hold the black ink for printing the darks. This is why we use a &#####x201C;positive&#####x201D; made by contact printing from the original negative. If you look at the surface of a photograph of a photogravure print through a magnifying glass, you will see the texture of the fine photogravure screen used to enhance the printing process. The Photogravure Technique in Practice. There are many stages in the creation of photographic plates before printing can begin. First of all, a continuous film positive is created using the photographer’s original negative. The reason for this is you will already know from the explanation above. The negative can be enlarged to create a much bigger printable positive, just as in the modern silver gelatin printing process. The sheet of positive film is then developed to produce a wide range of continuous tones. A sheet of pigmented gelatin tissue is sensitized by dipping it into a solution of potassium dichromate at 3.5% concentration for 3 minutes. It must then be dried on a plexiglass/perspex/acrylic sheet before we can progress to stage 3. Normally the sheet of pigmented gelatin will be ready one day later. After making a sandwich of the continuous tone positive on top of the pigmented gelatin sheet, it is exposed to ultraviolet light. A second exposure is then made to a fine stochastic or Mezzotint screen. Another possibility at this stage is to coat the copper plate with a fine dusting of rosin, as used in the aquatint etching process, which is then fixed onto the copper plate by heating it until it melts. This provides a random grain resist. The exposure to the ultraviolet light through the continuous tone positive and the Mezzotint screen or the aquatint rosin resist, hardens the gelatin in direct proportion to the light penetration through the two sheets. Stage 4 of the photogravure process is to adhere to the exposed gelatin tissue to the polished surface of the copper plate. This is done underwater, where it is squeezed onto the plate, and then the excess water is wiped off. Now the paper backing is removed in hot water and the unexposed soft gelatin is washed away. The more that the gelatin has been exposed to the UV light, the more it will remain on the plate, and so protect it from the acid bath to come. The resistant gelatin is dried and then the edges and back of the plate must be stopped out, which means being given a coat of colored varnish. This will protect the sides and the back of the copper plate from the effect of the acid. Now the plate can be etched in a bath of ferric chloride acid solution, using a scale measured in degrees Baum&#######xE9. The plate is immersed in a series of acid baths starting with the strongest, and then progressing through baths of increasingly weaker acid solutions. The ferric chloride acid solution passes through gelatin image, to eat into the copper plate, producing tiny &#####x201C;wells&#####x201D; of different depths, which will hold ink in varying degrees. The photogravure screen or the aquatint resist, depending and which was used, created a textured &#####x201C;tooth&#####x201D; in the plate, which helps the plate hold ink. These individual &#####x201C;wells of ink&#####x201D; vary in depth, and this feature is a unique characteristic of the photogravure process. Its time now to clean the plate and prepare for printing. There is little difference in practice in printing a photogravure plate, to any other intaglio plate. It is most similar to the aquatint etching printing process. The ink used in photogravure printing is of a stiff oily consistency. This is to ensure that it stays put in the small recesses etched into the copper plate. Using a rubber brayer or alternatively a stiff squeegee, the ink is applied to the entire surface of the plate to be printed. The plate is then wiped to remove the excess ink. This wiping also helps to drive the stiff ink into the deepest crevices in the plate. The final wiping is done using the palm of the hand, in a slight glancing action. Now the polished parts of the plate, which will print as white, have been thoroughly cleaned of ink. The last part of the process is to clean the edges of the plate before it is ready to be placed on the bed of the intaglio press. Prior to printing the plate is covered with a sheet of damp rag-based paper, followed by 3 thin woolen blankets. These woolen blankets help distribute the pressure more evenly, pushing the soft damp paper into the inky hollows in the plate. Finally, the plate is run through the press, and the high pressure forces the dampened paper into the ink-filled wells of the plate. This transfers the ink onto the paper creating the final print. Now the damp print must be gently dried between sheets of blotting paper and placed under weights, which ensures that the print remains flat as it dries. The whole process can be repeated to produce another print or the plate cleaned and stored away for future use. The item “1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo” is in sale since Saturday, August 22, 2020. This item is in the category “Art\Art Prints”. The seller is “vintagephotogravure” and is located in Arbis. This item can be shipped worldwide.
  • Artist: Yousuf Karsh
  • Color Type: COLOR
  • Date of Creation: 1990-1999
  • Features: Matted
  • Height (Inches): 20
  • Listed By: Dealer or Reseller
  • Medium: COLOR Photo Engraving
  • Originality: Original Print
  • Print Surface: Paper
  • Signed: Unsigned
  • Size: Medium (up to 36in.)
  • Style: Realism
  • Subject: Portrait
  • Width (Inches): 16

1991 Vintage 16X20 ANGELA LANSBURY Actress Film Theater YOUSUF KARSH Photo
August 23, 2020

10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL

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10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL
10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL
10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL

10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL
Tester Packs of 35mm. Tester Packs of 120. Single Use Waterproof Cameras. Single Use Flash Cameras. Fuji Instax Camera Accessories. Film For Lomography Instant. Film For Lomo Diana/Holga 35mm. Film For Lomo Diana/Holga 120. THE PHOTOGRAPHIC SHOP FOR ALL YOUR CAMERA FILM AT DISCOUNT PRICES! Jaz-uk’s ” The Photographic Shop “. Is one of the UK’s leading on-line suppliers. Of traditional photographic camera film. Supplying film from FujiFilm – Kodak – Ilford – AGFA. And all at great discount prices! Pro 400H incorporates FujiFilm’s most highly advanced emulsion technology to produce smooth, natural-looking skin tones, with exceptional detail, to create a film that’s perfect for wedding and portrait photography. Unparalleled flexibility for professional portraiture means that demarding professionals can totally rely on the film’s high-speed versatility. This film is fresh & refrigeration stored! High-speed (ISO 400) daylight-type fine-grain colour negative film for smooth, faithful reproduction of natural skin tones and neutral greys. For portrait, wedding, industrial and other commercial applications. Provides unparalleled flexibility for professional portraiture and is ideal for a wide range of difficult shooting conditions. Improved fidelity over a wide exposure range from under to over exposure. Product : Brand new retail packaged. Our Company : Established 1997. UK VAT Registration Number : 697 3117 05. Jaz-uk would like to thank you for looking! Jaz-uk’s The Photographic Shop! We have been operating since January 1997. We Operates a Fast Reliable Service. Despatched within 48 hours (usually sameday if ordered before 3.00pm) weekdays (Excluding Bank Holidays). Add to Favourite Sellers. Sign up to Newsletter. View more great items. 2x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM DISCOUNTS ON MULTI BUYS. This listing is currently undergoing maintenance, we apologise for any inconvenience caused. The item “10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL” is in sale since Monday, February 10, 2020. This item is in the category “Cameras & Photography\Film Photography\Film”. The seller is “jaz-uk” and is located in Romford. This item can be shipped to United Kingdom.
  • Quantity: 10
  • Ordering Code: E26
  • To Fit: All 35mm film cameras
  • Series: Pro
  • Exposures: 36
  • Type: Colour Print Film
  • Expiration Date: Long dated
  • Film Speed: 400 ISO
  • MPN: 16326078
  • Film Format: 35 mm/135 Print
  • Brand: Fujifilm
  • Number of Photos: 36

10x FUJI FILM PRO 400H 35MM CHEAP COLOUR PRINT FILM by 1st CLASS ROYAL MAIL
August 22, 2020

Geniune Fargo HDP5000 84061 Color UV Ribbon YMCFK 500 prints Sealed New

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Geniune Fargo HDP5000 84061 Color UV Ribbon YMCFK 500 prints Sealed New

Geniune Fargo HDP5000 84061 Color UV Ribbon YMCFK 500 prints Sealed New
YMCFK color ribbon with fluorescing panel. 500 prints per roll. Fargo 84061 ribbon is for use with HDP5000 card printers. Re-transfer film is required with the Fargo 84061 ribbon. The item “Geniune Fargo HDP5000 84061 Color UV Ribbon YMCFK 500 prints Sealed New” is in sale since Monday, October 9, 2017. This item is in the category “Computers/Tablets & Networking\Printers, Scanners & Supplies\Printer Ink, Toner & Paper\Ink Ribbons”. The seller is “myidworld” and is located in Cerritos, California. This item can be shipped to United States, United Kingdom, China, Mexico, Germany, Japan, Brazil, France, Australia, Russian federation, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Greece, Portugal, Cyprus, Slovenia, Sweden, South Korea, Indonesia, Taiwan, Thailand, Belgium, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Austria, Bahamas, Israel, New Zealand, Philippines, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Chile, Costa rica, Dominican republic, Panama, Trinidad and tobago, Guatemala, El salvador, Honduras, Jamaica, Aruba, Belize, Dominica, Grenada, Saint kitts and nevis, Turks and caicos islands, Bangladesh, Brunei darussalam, Bolivia, Ecuador, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Liechtenstein, Luxembourg, Monaco, Macao, Martinique, Nicaragua, Peru, Pakistan, Paraguay, Viet nam, Uruguay, Canada, South africa, Colombia, Antigua and barbuda, Saint lucia, Barbados, Bermuda, Cayman islands, Sri lanka, Maldives, Oman, Reunion, Montserrat.
  • Bundle Listing: No
  • Compatible Model: HDP5000
  • Color: YMCFK
  • MPN: 84061
  • Brand: Fargo

Geniune Fargo HDP5000 84061 Color UV Ribbon YMCFK 500 prints Sealed New
August 21, 2020

Scarface Tony Film Acrylic Colourful Style Wall Art Canvas Print Ready To Hang

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Scarface Tony Film Acrylic Colourful Style Wall Art Canvas Print Ready To Hang

Scarface Tony Film Acrylic Colourful Style Wall Art Canvas Print Ready To Hang
Stylish canvas prints handmade in Britain. We specialise in high quality canvas prints at affordable prices. Professionally mounted onto treated kiln dried wooden stretcher bars, guaranteed not to warp or crack. The canvas is ready to hang straight from the box and will transform any wall instantly. You can choose unframed/rolled print as well. Our premium photo to canvas service. It is easy to print your own images on canvas. Printed at high resolution, using the latest state of the art colour technology ensures sharp and vivid images every time. We use only the best materials, the brightest whitest canvas, UV and fade resistant pigment ink lasting up to 75 years for a pin sharp and vibrant print quality. With over 10 years experience and thousands of happy customers all over the world, we are passionate about what we do and proud of our reputation and five star customer service. All items are thoroughly packaged and insured so they reach you in pristine condition. We take every step possible to ensure that your canvas prints reach you in perfect condition. We encourage you to check out our FAQs section first. Chances are you will find the answer to your questions there. Please visit our other wall arts. A canvas print will bring life to any wall in your home or office. It’s a great way to showcase a photo and can make a wonderful gift. We offer a wide range of quality canvas prints suitable for homes and offices. The item “SCARFACE TONY FILM ACRYLIC COLOURFUL STYLE WALL ART CANVAS PRINT READY TO HANG” is in sale since Thursday, August 8, 2019. This item is in the category “Art\Art Prints”. The seller is “canvas_shop” and is located in Greenford. This item can be shipped to United Kingdom, Austria, Belgium, Bulgaria, Croatia, Cyprus, Czech republic, Denmark, Estonia, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Latvia, Lithuania, Luxembourg, Malta, Netherlands, Poland, Portugal, Romania, Slovakia, Slovenia, Spain, Sweden, Australia, United States, Bahrain, Canada, Japan, New Zealand, Israel, Hong Kong, Norway, Indonesia, Malaysia, Mexico, Singapore, South Korea, Switzerland, Taiwan, Bangladesh, Belize, Bolivia, Brunei darussalam, Dominica, Ecuador, Egypt, Guernsey, Gibraltar, Guadeloupe, Grenada, French guiana, Iceland, Jersey, Cambodia, Saint kitts and nevis, Liechtenstein, Macao, Monaco, Martinique, Nicaragua, Pakistan, Peru, Paraguay, Turks and caicos islands, Aruba, Saudi arabia, United arab emirates, Chile, Bahamas, Costa rica, Dominican republic, Guatemala, Honduras, Jamaica, Kuwait, Panama, Philippines, Qatar, El salvador, Trinidad and tobago, Uruguay, Viet nam, Antigua and barbuda, Bermuda, Barbados, Cayman islands, Jordan, Saint lucia, Sri lanka, Maldives, Oman, Reunion, South africa, Colombia, Ukraine, Montserrat.
  • Type/ Media: Digital Art
  • Subject: Film
  • Size: Choose from the drop down menu at the top
  • International Shipping: Please contact us for the Shipping Quote
  • Ready To Hang: Ready To Hang On Nail Or Screw
  • Ink: Epson Pigment Inks Up To 75 Years Fade Resistant
  • Delivery: Free to Mainland UK/Excluding Highland and Islands
  • Condition: New
  • Originality: Original
  • Print Surface: Canvas

Scarface Tony Film Acrylic Colourful Style Wall Art Canvas Print Ready To Hang
August 21, 2020